Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Peter Jakob Horemans
Portrait of Maria Anna Caroline von Bayern

ID: 88908

Peter Jakob Horemans Portrait of Maria Anna Caroline von Bayern
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Peter Jakob Horemans Portrait of Maria Anna Caroline von Bayern


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Peter Jakob Horemans

painted Portrait of Clemens August as Falconer in 18th century   Related Paintings of Peter Jakob Horemans :. | Stories of Lucretia | Portrait de Charles de Sainte-Maure, duc de Montausier | configuration | Wonderful Catch of Fish | Approach and sailing |
Related Artists:
Pratt, Matthew
American Colonial Era Painter, 1734-1805 .American painter. One of ten children of a goldsmith, he was apprenticed at 15 to his uncle, James Claypoole. He spent almost seven years as an apprentice and eight as a painter of portraits and signs for taverns, shops and counting houses. In 1764 he went to England,
Gillis Hafstrom
Sweden (1841 -1909 ) - Painter Gillis Hafström
william holman hunt,o.m.,r.w.s
1827-1910 English painter. He worked as an office clerk in London from 1839 to 1843, attending drawing classes at a mechanics' institute in the evenings and taking weekly lessons from the portrait painter Henry Rogers. Holman Hunt overcame parental opposition to his choice of career in 1843, and this determined attitude and dedication to art could be seen throughout his working life. In July 1844, at the third attempt, he entered the Royal Academy Schools. His earliest exhibited works, such as Little Nell and her Grandfather (exh. British Institution, 1846; Sheffield, Graves A.G.), reveal few traces of originality, but the reading of John Ruskin's Modern Painters in 1847 was of crucial importance to Holman Hunt's artistic development. It led him to abandon the ambitious Christ and the Two Marys (Adelaide, A.G. S. Australia) in early 1848, when he realized its traditional iconography would leave his contemporaries unmoved. His next major work, the Flight of Madeline and Porphyro during the Drunkenness Attending the Revelry (1848; London, Guildhall A.G.), from John Keats's 'Eve of St Agnes', though displaced into a medieval setting, dramatized an issue dear to contemporary poets and central to Holman Hunt's art: love and youthful idealism versus loyalty to one's family. His first mature painting, it focuses on a moment of psychological crisis in a cramped and shallow picture space.






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